It was in the 6th and 5th centuries BCE that Buddhist art was implemented in the Indian subcontinent to document the life of Gautama Buddha. Throughout Asia the dharma of the Buddhist of the religion spread and developed as it came into contact with the various cultures in its path. Practitioners and artists who created Tibetan art used a style that is known as aniconic, which was the use of Buddhist symbology and iconography without the actual use of the image of the human figure. In the first century CE, the human appearance of the Buddha started to become prominent in the Tibetan art at the time and this practice continues even unto this modern day. Buddhist art followed the believers in the Buddhist religion wherever it developed throughout all of Asia, in every Buddhist temple.
Tibetan Buddhist art is considered sacred and religious in nature, or was always thought of as religious in Asiatic cultures throughout the continent and in ancient Himalayan kingdoms such as Ladakh, Bhutan, and Nepal.
Before the middle of the twentieth century, Tibetan Buddhist art was created to be depicted as sacred in its subjects and traditions. The art of Tibet centers on the philosophical and spiritual key concepts, but as the art of Tibet developed, the vitality of the aesthetics of Tibetan art also come into prominence when it came to the growth of the different schools of Buddhism all over the various regions and countries it influenced. The symbology of Buddhism used in Tibetan Buddhist art can be considered a study in the impressions that have emerged over the influences in Buddhism over the centuries.
Mahayana Buddhist influence came into being around the fourth century and emphasized its influence over those who wished to help others and forsake their own Nirvana. In the Tibetan art of the Mahayana influence, Chenrezig is the deity that is depicted most commonly as having a thousand arms and an eyeball in each hand.
Tantric Buddhism is another aspect of Tibetan Buddhist art; the diamond thunderbolt is the most common symbol in this influence. The art of the Tantric influence during this period is most heavily symbolized by fearsome looking deities with angry faces. These angry deities most often are representative of protectors who are devoted to tantric practices and education and the suppression of negativity.
The Bon influence as it is known in the Himalayas is a shamanistic religion that ads a host of local deities to Tibetan Buddhist art. These local deities are created as statues with the Buddha in Tibetan temples. The shamanistic gods have a history of being blamed for evil, but have since become defeated by Buddha and are forever in service to him.
Concentration and meditation have been the hallmarks of Buddhist meditation techniques for centuries. Ancient practitioners of the art of Tibetan Buddhism have kept the central techniques preserved for centuries in ancient texts that teachers have passed down to students.
Tibetan Buddhist art also greatly influenced Hindu art, but in the tenth century, Buddhism was all but gone from the Indian subcontinent by the rise of popularity in Islam along with Hinduism.
SamanthaDiAlfredi
Author Bio
Author of several well-known books about Tibetan Buddhism, Buddhist Meditation and Tibetan Medicine, John Stewart-Raji wrote this introductional article for The Tibet Post Magazine.
